The first thing that came to my mind when the performance Love is My Sin began, was that both the garments worn by Michael Pennington and Natasha Parry and the way they moved were suggesting that this would be a highly ritualized, stylized, yet completely passionate dance we would be witnessing, like a Flamenco or a Tango, something that comes quite close to the actual act, simply because the surface is so slight. Probably Condillac's veils shining through again. And the hell it was...
The other thing that had been worrying me the day before, which seems pointless here, yet was resolved. I actually was worried if I could combine black stockings and a dark blue dress, and was astonished that Michael Pennington was wearing the same combination ;-)
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